These abstract portraits are part of my research into worship through a vocabulary of movements, from the perspective of the worshippers relationship with a bodily extension ( a prosthesis, in this case a kavadi) and consequently his god, prioritising his gestures and their historical weight in worship.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggzez3XzHI3dpsNPN_oucUEJADIi3col-DMvTZoj3Ep1bb_I9YkhUApf6YTbLn0jM4R08Co7zF19FprmPB2u2XXbqFqRu5YxWCS6YaZUZU257I9rz9R9nghat6X0lSbJuFTRjdDdB-MvGw/s1600/ldd.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWHUxXYB9I8TFd7CsocPqcnXZTEluJdEU_PFlgHXnqkIjgEaXkr5_Gg4fseeWz4GcCL1kJS6nvbo18qCRe1Mug-i1Yq2j9_7twhM3Jp7lFB1qOHjcD8NRER-pKFpqb8dMhvGY3E_5_ja6P/s1600/rod1.jpg)