![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir9gdv7j5FWL2L1QWIY2iK1-EY576dxPcJDB3qs27iZn_a-uGAmQUFWc1zduBjtrhODiKW4mShliwk28mfC1vSdLGWLmp_svMj7sQCFjZMXJQKD0anOG5-jg_TZsET2ZMnWxqOGd2cSUCE/s1600/faceclay1_1.gif)
These abstract portraits are part of my research into worship through a vocabulary of movements, from the perspective of the worshippers relationship with a bodily extension ( a prosthesis, in this case a kavadi) and consequently his god, prioritising his gestures and their historical weight in worship.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqzhFR9LvOydxKJ94dEe5iy8EtmSGHUWYzW8XNJ9BVsgctTig6RSWpJJRhfFNq-QCGNyih7LS1YqkSu9VmJ6cswOCB7f2nl40t0ig7TSkQI0wL4ZlAL2p-uifwSyyIqxS-OmSiX1I7fPtW/s1600/clayface1.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinMOcn-BPioiRRy6NYUf8KMbe70xd5PGGP5V3mYn-n_SBK_3-JwrdlRzMVo4ue6HyhnC0c0DTzBDeiU9ST55ZY8VF0Qw5sgOtZy1KDqEbsfhipzxh_40twCL5twdLZs5wZny8-BgFhBQ1V/s1600/clayfacenew1.jpg)